Based on the 1836 standoff between a group of Texan and Tejano men, led by Davy Crockett and Jim Bowie, and Mexican dictator Santa Anna’s forces at the Alamo in San Antonio, Texas.
Director: John Lee Hancock, Gina Grande, K.C. Hodenfield, Jeff Okabayashi
Casts: Dennis Quaid, Billy Bob Thornton, Jason Patric, Patrick Wilson, Emilio Echevarru00eda, Jordi Mollu00e0, Leon Rippy, Tom Davidson, Marc Blucas, Robert Prentiss, Kevin Page
Countrys: USA
Watch The Alamo
Other Information
| Score | Rating Count | Release Date | RunTime |
|---|---|---|---|
| 6.0 | 18,055 | 2004-04-07 | 137 |
Crew Information
| Job Title | Member Name | Job Title | Member Name |
|---|---|---|---|
| Director | John Lee Hancock | Screenplay | Leslie Bohem |
| Screenplay | Stephen Gaghan | Screenplay | John Lee Hancock |
| Executive Producer | Todd Hallowell | Producer | Ron Howard |
| Producer | Mark Johnson | Executive Producer | Philip Steuer |
| Original Music Composer | Carter Burwell | Director of Photography | Dean Semler |
| Editor | Eric L. Beason | Casting | Ronna Kress |
| Production Design | Michael Corenblith | Art Direction | Lauren E. Polizzi |
| Art Direction | Dan Webster | Set Decoration | Carla Curry |
| Costume Design | Daniel Orlandi | Makeup Department Head | Edouard F. Henriques |
| Costume Supervisor | Dan Bronson | Costume Supervisor | Elaine Ramires |
| Costume Supervisor | Mitchell Ray Kenney | Sculptor | Dewey Rash |
| Construction Foreman | Craig Byrom | Art Department Coordinator | Ana Martinez |
| Assistant Art Director | Al Hobbs | Construction Coordinator | Tom Ward |
| Set Designer | Randall D. Wilkins | Set Designer | Charisse Cardenas |
| Assistant Art Director | Kevin Cross | Sculptor | Kenneth Garrett |
| Sculptor | Randy Severs | Sculptor | Patrick Thornton |
| Supervising Sound Editor | Jon Johnson | Foley | Alyson Dee Moore |
| Foley | John Roesch | Sound Re-Recording Mixer | David E. Fluhr |
| Sound Re-Recording Mixer | Christian P. Minkler | Special Effects Coordinator | Larz Anderson |
| Visual Effects Supervisor | Craig Barron | Visual Effects Producer | Kip Larsen |
| Visual Effects Editor | Ken Rogerson | Stunt Coordinator | Phil Neilson |
| Still Photographer | Van Redin | Camera Operator | Mark O'Kane |
| Still Photographer | Deana Newcomb | Gaffer | James J. Gilson |
| Gaffer | John L. Lewis | Set Costumer | Stephany Baskin |
| Set Costumer | Laura Hodges | Set Costumer | Yvonne Wilburn |
| Music Editor | Bryan Lawson | Music Editor | Adam Milo Smalley |
| Transportation Coordinator | Phil Schriber | Choreographer | Jerry Evans |
| Studio Teachers | Laura Gary | Script Supervisor | Gina Grande |
| Location Manager | Eric A. Williams | Associate Producer | K.C. Hodenfield |
| Associate Producer | Louisa Velis | Greensman | Raul V. Carrera |
| Lead Painter | William F. Gambill | Leadman | Shane Patrick |
| Location Scout | Mateo Barnstone | Painter | Gloria Ciraolo |
| Standby Painter | Thomas V. Johnson | Additional Camera | Brown Cooper |
| Camera Intern | Trevor Doyle Nelson | First Assistant Camera | Fred L. McLane |
| Grip | Andy deBruyn | Steadicam Operator | Tony Rivetti |
| Assistant Costume Designer | Nanrose Buchman | Hair Department Head | Kim Santantonio |
| Hairstylist | Chelsea Carpenter | Key Hair Stylist | Thomas Real |
| Makeup Artist | Angela Angel | Seamstress | Annette Hoffman |
| Set Costumer | Anna Abbey | Wigmaker | Carol F. Doran |
| Armorer | Vern Crofoot | Carpenter | Steve Allen |
| Chef | Joel Poage | Craft Service | Erick Garibay |
| Driver | Charles Coulter | Post Production Assistant | Jeff Schweikart |
| Post Production Supervisor | Susann Jones | Propmaker | Ross Macdonald |
| Quality Control Supervisor | Kevin Lin | Scenic Artist | Wendy Bonn |
| Second Unit | Phil Neilson | Set Medic | John Arszyla |
| Set Production Assistant | Meg Beatty | Stand In | Bert Beatson |
| Stunts | David Alvarado | Systems Administrators & Support | Simon Walton |
| Transportation Captain | Lonnie Nelson | Transportation Co-Captain | Greg Faucett |
| Unit Production Manager | Kathleen McGill | Unit Publicist | Ernie Malik |
| Utility Stunts | Austin Anderson | Video Assist Operator | Roger Basquette |
| Color Timer | Steve Bowen | Digital Intermediate | Lorene Simpson |
| First Assistant Editor | Don Thompson | Best Boy Electric | Stephen Beasley |
| Electrician | Troy Anderson | Rigging Grip | Steve Drake |
| Production Accountant | Chris Silver Finigan | Production Coordinator | Mika Saito |
| Production Office Coordinator | Steve Salada | Production Supervisor | Richard E. Chapla Jr. |
| Boom Operator | David M. Roberts | Music Supervisor | Monica Zierhut |
| Orchestrator | Sonny Kompanek | Production Sound Mixer | John Pritchett |
| Sound Editor | Keith Bilderbeck | Sound Effects Editor | Brian W. Jennings |
| Digital Compositors | Michael Curtis | Visual Effects Coordinator | James D. Tittle |
| Storyboard | Mark Lambert Bristol | Department Administrator | Keri Moorhouse |
| Visual Effects | Patrick Phillips | Set Dresser | Bart Brown |
| Camera Loader | Victoria Gonzales | First Assistant Director | K.C. Hodenfield |
| 3D Artist | Glenn Cotter | Assistant Property Master | Wendy Bonn |
| Key Costumer | Javier Arrieta | Key Makeup Artist | Greg Funk |
| Tailor | James Irvin Gates | Second Assistant Director | Jeff Okabayashi |
| Associate Editor | Mark Rathaus | Assistant Production Coordinator | Lauren Swearingen |
| Assistant Sound Editor | Steven Gerrior | Foley Editor | William Jacobs |
| Musician | George Doering | Sound Effects Designer | Charles Maynes |
| Supervising ADR Editor | Darrell Hanzalik | Utility Sound | Kay Colvin |
| Title Designer | John Brian King | Casting Assistant | Courtney Sheinin |
| Dialogue Editor | Mark Gordon | Dialogue Editor | Robert Troy |
| Property Master | Don Miloyevich | Sound Recordist | Gabriel Guy |
| Dolly Grip | John Murphy |
